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Painting: Images of Deity: Grey Series


After the Apocalypse, Abba and Ruah, detail

After the Apocalypse, When Michael Will Take the Wounded Lucifer back to the Throne of the Lamb, There Will be a Certain Sense to the Joining of Animus and Anima, at the End of the Hostilities.

After the Apocalypse, When Michael Will Take the Wounded Lucifer back to the Throne of the Lamb, There Will be a Certain Sense to the Joining of Animus and Anima, at the End of the Hostilities.

After the Apocalypse, When Michael Will Take the Wounded Lucifer back to the Throne of the Lamb, There Will be a Certain Sense to the Joining of Animus and Anima, at the End of the Hostilities.

After the Apocalypse, detail

After the Apocalypse, Holy Family with Trinity Apocalypse, detail

Michael and Lucifer

After the Apocalypse, St. Anne, detail

After the Apocalypse, The Baptist and the Magdalen

After the Apocalypse, The Lamb of God, detail

After the Apocalypse, Woman Clothed with the Sun, detail

Christ at the Soup Kitchen

Danse Macabre

Baptism, detail

Detail of Baptism polyptych

Rood from the Baptism polyptych

Trinity, detail of Baptism

Franciscan Vision

Mary Rabuni, Noli Me Tangere

The First Horseman of the Apocalypse Thunders Out of the Sky. He Salutes the Baby Whose Mother Will Be the New Eve. The Baby Is Delighted With the Majesty and the Romance of the Master Warrior.

Take Eat; This is My Body . Drink from this Cup, too; It is My Blood of a New and Eternal Covenant and It Will be Shed for You and for Many, so that Sins may be Forgiven.

Out of the Simplest Parents Came the Transfigured Messiah. Only Once Did His Best Friends Even Get an Inkling of Who He Was and Where His Friends Really Come From (diptych, closed)

Out of the Simplest Parents Came the Transfigured Messiah. Only Once Did His Best Friends Even Get an Inkling of Who He Was and Where His Friends Really Come From (triptych, open)

The Visitation at the Beach After the Kids Were Born

The Holy Family Waiting for the Bus to Cairo (triptych)
This series came about after the decision to simplify my approach to imagery and color. I began a black and white period after the golden shadows and long after the mummies. This approach seemed honest and necessary at the time. The images all developed into Judeo-Christian stories, some with a long history particularly in the Renaissance and Pre Raphaelite periods, some completely my own. They are all the result of paint and prayer going together, work and worry, creation and contemplation; putting color on canvas and figuring out where it is going by delving into the sub-conscious or unconscious Christian experience of this one man who is trying to follow his conscience to God.